Lisa Mezzacappa’s Bait and Switch — What Is Known (Clean Feed, 2010)
This is a long-standing Bay Area band that plays Mezzacappa’s compositions, but the same people (including Mezzacappa) also form the band Go-Go Fightmaster, another awesome slice of free jazz.
(INTERLUDE: Go-Go’s got a gig Sept. 6 at the Make-Out Room. Go!)
But Go-Go is more slash-and-burn, while Bait and Switch is rooted in the free jazz of Henry Threadgill and Eric Dolphy (two choices among the influences Mezzacappa lists in the liner notes). Songs here do include untethered free improvising, but many of them are cemented by swingy heads that recall the best of ’60s/’70s jazz.
I don’t want to make too much of the retro connection, though, because the album doesn’t sound retro. These are modern originals, with composing that stems from Mezzacappa’s exercises in transcribing solos. (Some of these pieces might also be derived from the group’s improvisations; I remember hearing her saying something to that effect.)
John Finkbeiner’s guitar certainly reaches beyond jazz, especially when he adds distortion and fuzz, as in his solo on “Zzllzzpp.” Aaron Bennett’s subsequent sax solo on that track might sound friendly and swingy, but it’s accompanied at first by a bumpy bass (Mezzacappa) and drums (Vijay Anderson) rhythm, and later by an evil and raucous set of riffs from the band.
For cover songs, you’ve got nonobvious choices. Captain Beefheart’s “Lick My Decals Off, Baby” is appropriately stabbing and buzzing, with a head that’s got an infectious rolling swing to it. “I’ll Be Right Here Waiting” is a composition by Steve McCall (drummer of the trio Air, among other groups), turned into a reverent bass solo.
A couple of quieter tracks later in the album, like “Catalypsoclysmic,” are a treat. Then, near the end, there’s “What Is Known,” where the band really blows off the doors, creating a wail that draws back on the passionate, political style of free jazz.
Here are two takes on a bright, catchy song called “The Aquarist” — one from Sacramento’s In the Flow festival, and one from a house concert. It’s got a bright, swingy theme and some space for sax and guitar solos. You can also catch early recordings of Bait & Switch songs on Mezzacappa’s Myspace page.
… And, if you care, I saw this band live about a year ago. Really glad that they found a good home for their first album.