I’m going to accept the challenge Ethan Iverson puts forth on his Do the Math blog. I’m going to find out more about Bunky Green.
Then there’s this, about Green himself: “He turns 75 in two days and Steve Coleman wouldn’t exist without him.”
And I like that Iverson uses the word “futuristic,” the same word I use to describe that kind of other-plane soloing Coleman is known for. (And Green, apparently.) The kind that’s not simply outside the changes; it’s using an unorthodox math to create a specific, deliberate sound, a new structure around the changes. Iverson’s choice of the word makes me feel a little bit proud, like I’ve gotten the answer right on a hard quiz.
From the sound snippets on Do the Math, taken from Green’s work on the Elvin Jones album Time Capsule, Green and Coleman do have a lot in common — the major difference being their eras. Green plays against rich, post-bop backdrops, traditional sounding stuff until his solo opens the dimensional portal and lets all the aliens in. Coleman benefitted from a 1980s era obsessed with new things and new technology, where M-base could thrive and define some of its own rules. I remember getting so happily lost in Coleman’s Black Science album — funky, driven, and complex, but without a compass during the improvised sections.
Another descendent of Green and Coleman might be the geometric, steel-and-glass sounds of musicians like Vijay Iyer and Rudresh Mahanthappa. And hey look — the thing that started Iverson talking about Green was the band Apex, which includes Green and Mahanthappa and apparently recorded last week, a session to be released in the fall on Pi Recordings. Check out Ben Ratliff’s review of their show in the New York Times.