Archive for February, 2014

Grex: Typhoon Relief Concert (and New CD)

MonsterMusicReleasesmallGrex is playing a CD-release concert tonight (Feb. 15) that doubles as a typhoon relief concert.

It’s a Berkeley Arts (2133 University Ave, Berkeley). There’s no cover, and all proceeds, including album sales, will go to the Philippines for Typhoon Haiyan relief. It’s a nice chance to experience some new music and donate to a good cause.

The bill includes:

  • Grex, the free jazz/chamber rock trio of Karl Evangelista (guitar), Rei Scampavia (piano), and Robert Lopez (drums)
  • Michael Coleman’s Enjoyer, a quartet (or more) led by keyboardist Coleman
  • Jordan Glenn Chamber Ensemble, debuting a new long-form piece composed by Glenn

The new Grex album, titled Monster Music, features the new trio format (the band has been Evangelista and Scampavia, joined sporadically by friends) and should be available on Bandcamp soon.

February 15, 2014 at 4:00 pm Leave a comment

Aram Shelton’s Art of the (Next) Trio

Aram Shelton‘s Ton Trio II plays Sat. Feb. 1, at Duende (Oakland), with the Cory Wright Outfit.

Ton Trio IIOn and On (Singlespeed, 2014)

Source: Singlespeed Music; click to go thereThis is the second version of Aram Shelton‘s sax/bass/drums unit, exploring Shelton’s compositions with a healthy respect for the jazz tradition and an appetite for the freedom of direction offered by free jazz.

Shelton founded Ton Trio shortly after coming to the Bay Area from Chicago. The second edition, with new rhythm section Scott Brown on bass and Alex Vittum on drums, was created late in 2012 and built itself into shape through regular gigs at The Layover for the first part of last year. Now they’ve put out their first album, on Shelton’s Singlespeed label.

The trio is very much a jazz exercise, presenting melodic heads followed by some robust jazz improvising. In tracks like “Turncoats,” there’s a touch of Ayler-style marching, something I thought I’d heard in the first Ton Trio album, The Way.

“Freshly Pressed” is one of the faster tracks (and the longest, at eight minutes), with Shelton digging hard in to post-bebop soloing but also adding small touches of swing or traditional melody. This is a track where Shelton goes particularly far outside the lines, egged on by Vittum, who also turns in a snappy drum solo.

I think my favorite track is the speedy “Orange Poppies,” which opens with a theme that harkens back to maybe early ’60s jazz, followed by a terrific, rolling jam where Shelton savors one cascading run of notes after another.

I’m writing this one up a bit late — the band’s show at Duende starts in just a few hours — but hopefully the band will get plenty of other chances to perform live and continue pushing this music forward.

February 1, 2014 at 3:58 pm Leave a comment


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