(The Back Pages series is explained here, where you’ll also find links to the other installments.)
I don’t have much of a story to go with this one. What I have is the spatula:
It’s from an Amy X. Neuburg and Men concert at the Starry Plough in Berkeley. They were promoting the album Sports! Chips! Booty!, which came out on the Racer label in 1998. The spatula, made of simple flexible plastic, lasted from then until November 2019. That’s possibly 20 years of flipping kid-sized pancakes and frozen hash browns patties — multiple uses per week, with breaks only for vacations.
I’m not exaggerating. This thing got mileage, and I like to believe it was the last of its litter still in active use. It finally cracked this past November, and after some tense moments in the trauma center (Krazy Glue station), it’s been retired to a place of honor atop my CD cabinet.
Looking at that spatula, really looking at it for the first time in years, made me think about the band. Oh wow, the band.
Amy X. Neuburg has built an impressive career mixing songwriting, electronic percussion, dense loops of precise harmonizing (a one-woman choir), and a prog-rock degree of difficulty. Catchy melodies, thoughtful introspection, and a giddy sense of humor permeate her work, including The Secret Language of Subways (MinMax, 2009), the tour de force suite she wrote for herself and three cellists.
Amy X. Neuburg and Men was a playful prog-pop outfit with Neuburg fronting on lead vocals and percussion while the all-“men” band added backing vocals, usually as a unified block. Her husband, Herb Heinz, played guitar (he released some worthy records himself during this era), and Joel Davel added MIDI-driven xylophone and marimba. In good ’90s prog fashion, the band had a Chapman Stick, played by Micah Ball. J.T. Quillan III didn’t play an instrument but looked good in a tux (and sang), which was part of the whimsy.
Following the more serious Utechma album (Racer, 1995), Sports embraced the band’s goofy side, with tongue-in-cheek artsy tunes like “The Shower Song” But the band was also about crisp musicianship and Neuburg’s gift of rich melody, as on the languid “Orange County.” Live, the band was joyous and bouncing, and I’m sure I saw them at the Starry Plough at least twice.
The spatula was a nod to Sports single, “Big Barbecue.” But the track that really sold me was “Naked Puppets.” It opens with some electronics improvising, then bursts into King Crimson-worthy guitar, some fun rhymes, and a prog-circus finale.
You can hear tracks including “Shower Song” and “Big Barbecue” on Amy X. Neuburg’s website. The band’s albums are available on CD Baby and Amazon, where you can sample other treats such as the cover of King Crimson’s “Waiting Man.”