SFEMF 2017

sfemf2016posterThe San Francisco Electronic Music Festival returns this week, starting with a Thursday show at the Exploratorium and ending with a change of pace that might draw a bit of a crossover crowd.

Most of the shows are at the Brava Theater Center (2781 24th Street, San Francisco). Check the full schedule for more details.

Thursday, Sept. 8: The kickoff show, held at the Exploratorium, will feature Gen Ken Montgomery performing a Cassette CONcert, an idea developed by the late German musician Conrad Schnitzler beginning in the late ’60s. It’s an intriguing spin on the idea of tape music, the preconfigured electronic-music pieces that became an art form in the ’50s. In this case, Schnitzler provides a series of tapes, and it’s up to the musician which ones to play and when.

This means the concert can take variable form and length (Montgomery reports of one concert that lasted 50 hours). It’s a very Cageian idea, this reconfigurable composing; it also makes me think of Pierre Boulez’s Domaines, the modular piece performed by sfSound in July.

That Thursday show also includes the percussion-electronics duo IMA, who just came off a successful performance at the Outsound New Music Summit.

MajaAndHC
Photo: Jonas Adolfsen

Friday, Sept. 9: This show includes composer Maja S.K. Ratkje, the Norweigan noise artist who also travels in classical-music circles. Her recently released Crepuscular Hour, a piece that includes three choirs, noise musicians, and a church organ, “seeps through the liminal cracks between light and dark, the spiritual gloaming during which living bodies and minds change their patterns of behaviour,” as The Quietus describes it. Performance photos on Ratkje’s website are stunning.

Saturday, Sept. 10, 4:00 p.m.:  There’s a Saturday evening show at Brava, which will include local violin-and-electronics artist Thea Farhadian. In the afternoon, though, there’s a tribute to Contrad Schnitzler happening in the Brava neighborhood. Gen Ken Montgomery will host a “participatory” Cassette CONcert, where you’re welcome to bring a cassette deck and become part of the performance. Elsewhere, there’s going to be a small exhibition of Schnitzler’s archives.

These are happening at Explorist International and Adobe Books — 3174 and 3130 24th St., respectively. I don’t know which event is at which location, but Adobe Books has hosted small concerts in the past, so it might be the CONcert venue.

Not to sell Farhadian short. She has a new album coming out on Creative Sources in November and is a KZSU Day of Noise alum. Here’s a sample:


Sunday, Sept. 11: The SMEMF guest likely to draw the most attention is an East Bay native: Daveed Diggs, performing with the L.A. rap trio clipping. (the period is part of the name). Diggs is better known for less experimental work, being one of the original stars of the Hamilton musical. As the Marquis de Lafayette, he performs some impossibly fast raps in a French accent. With clipping., the speed and energy are there, but in a darker vein — a sinister vibe with lots of F-words and some sharp political messages.

The connection to SFEMF is that the backing music consists of spare, noise-based electronic rhythms — which, for me, is a refreshing change from rap’s usual course of mindless nostalgia samples and weak elementary jazz riffs. For rap fans, it’s a different sound — and for SFEMF, it’s a very experimental turn and a bit of a risk.

Read more about the festival (and about clipping.) at San Francisco Classical Voice.

Outsound Festival: One Weekend Left to Contribute

Source: Outsound; click to go thereIf you want to donate to the Outsound New Music Summit, you might want to do it before Sunday night.

I assume they’d take your contribution no matter what the date. But Sunday night is the deadline to contribute via Indiegogo and, for $100 or more, get a ticket to the dinner held each year for organizers and donors. Held at Berkeley Arts Festival, the dinner will include a set of music by percussionist William Winant and another set by Thea Farhadian (violin) and Amy X. Neuburg (vocals, loops, maybe electronics).

No, I don’t know what’s on the menu. But I do know it’s all for a good cause, a locally produced festival for creative music. Rent Romus has kept the fire burning going on 13 years now.

The Outsound Summit runs July 29 through August 2 at San Francisco’s Community Music Center.

Here’s the lineup:

July 27- August 2, 2014, Co-Presented with KFJC 89.7FM
Community Music Center, 544 Capp Street San Francisco, CA
Advance Tickets:  Brown Paper Tickets
The Bay Area’s New Sound Festival Features Underground and 
Experimental Jazz, Electronics, Noise Art, Spoken Word, Poetry, 
Workshops, and Hands-onInteractive “Touch the Gear” Expo.

Sunday July 27th 1:00 PM
Pianist, composer, and educator Thollem McDonas will lead a
collaboration/improvisation workshop for musicians and non-
musicians alike. 

Monday, July 28th 8:00 PM
Thollem McDonas and participants from the Sunday improvisation 
workshop will perform a set of structured and free improvi-
sation.  This event is free to the public.

Wednesday, July 30th 
Q&A Sessions 7:30 pm, Performance 8:15 pm
PoetryFreqs, a night of spoken word and poetry with electro-
acoustic music.
* Pitta of the Mind (Maw Shein Win – poetry and Amanda 
Chaudhary – electronics)
* Original jazz beat poet Ruth Weiss with electronic pioneer 
Doug Lynner – Buchla Synth,  Hal Davis -  hollow log
* Watkins/Trammel/McZeal (Zachary James Watkins - 
electronics,  Marshall Trammell – drums  with award winning 
poet Amber McZeal)

Thursday, July 31st 
Q&A Sessions 7:30 pm, Performance 8:15 pm 
Guitars, a night showcasing seven talented and provocative 
guitarists Henry Kaiser; Amy Reed & Ross Hammond; Noah 
Phillips & John Finkbeiner; Sandy Ewen & Jakob Pek

Friday, August 1st 
Q&A Sessions 7:30 pm, Performance 8:15 pm
Constructions will bring two extremes together
* Teddy Rankin-Parker/Daniel Pearce Duo,
premiering new works by renowned composer Renee Baker 
* The Deconstruction Orchestra, a mass ensemble of 25 leading 
Bay Area improvising musicians led by tenor saxophonist and 
composer Joshua Allen, who will perform the debut of The 
Structure of Sound and Space, an original deconstructivist-
inspired suite of cell structure game compositions, melding 
together post-modern, free jazz and non-idiomatic improvisa-
tion. Saxophones: Aaron Bennett-as, Sam Flores-ts, John 
Ingle-bs, Matt Ingalls-as/c, Josh Marshall-ts, Dan Plonsey-bs, 
Dave Slusser-ts, Rory Snyder-as, Rent Romus-as, Cory Wright-bs 
Brass: Peter Bonos-trpt, Collete McCaslin-coronet, Matt 
Gaspar-Flugel, Ron Heglin-tuba, Jeff Hobbs-trpt, George 
Moore-trpt, Matt Streich-trombone Rhythm: Henry Kaiser-guitar, 
John Finkbeiner-guitar Timothy Orr-drums, William Winant-drums, 
Lisa Mezzacappa-bass, Matt Montgomery-bass

Saturday, August 2nd 1:00pm
Transformational Voice, an afternoon vocal workshop with 
bodywork/energywork master Jill Burton.
Register at the door or Pre-Register @ Brownpaper Tickets

Saturday, August 2 
Q&A Sessions 7:30 pm, Performance 8:15 pm
Improvisations, featuring three different
groups of improvisers exploring the language of the unknown.
* Obstreperous Doves (Karl Evangelista – guitar, Bill Noertker - 
bass, Nava Dunkelman - percussion, Christina Stanley - violin, 
and Jordan Glenn - drums)
* The Emergency String (X)tet (violins: Mia Bella D'Augelli, 
Jeff  Hobbs, Christina Stanley; lap steel guitar: David 
Michalak; cello: Doug Carroll; bass koto: Kanoko Nishi-Smith; 
and cello/director: Bob Marsh); who will premiere a new work 
in celebration of Bob Marsh’s 70th birthday
* Jill Burton Trio (Jill Burton - voice, Tim Perkis - 
electronics, and Doug Carroll - cello) debuting their 
first-time collaboration

… and here’s what I wrote about last year’s Summit: