Tuesday, August 4 — Mary Halvorson is coming to Yoshi’s Oakland with the same trio that performed on Dragon’s Head, the CD that garnered her so much attention last year. I’d noted this here. There’ll be only one set, at 8:00 p.m. So sad that they can’t put up two sets.
Thursday, August 6 — At the Luggage Store Gallery, Polly Moller is curating a monthly series of 12 shows, each celebrating the monthly full moon and dedicated to a particular type of full moon from folklore. This month, it’s the Corn Moon. First on the bill is the duo of Karl A.D. Evangelista (guitar, vox, misc.) and Margaret Rei Scampavia (piano/keys, accordion, flute, saxophone, vox, misc.), performing as Grex. They’ll be followed by Phillip Greenlief and David Boyce, a tenor sax duet, who will “explore the identity of corn in Native American Mythology and everyday life.”
Thursday, August 6 — Uh-oh, a conflicting, yet also terrific, show: Vinny Golia will be up from L.A. for a performance that happens to be titled “Up from L.A.” He’ll be performing his compositions with a local troupe that includes strings and a jazz grouping, so you might get to hear a mix of his free-jazz work and his more classical/abstract composing. At Flux 53.
Friday, August 7 — The Best of the East Bay party includes music from a few Bay Area standouts, including David Slusser and Damon Smith. You’ll also get to hear Phillip Greenlief again, this time with his trio Citta Di Vitti, which plays swingy jazz inspired by the films of Michelangelo Antonioni. This time they’ll perform alongside projections of the films, apparently. At the Oakland Museum of California.
Saturday, August 8 — I don’t know much about Ideal Bread, but they’re from New York, they play Steve Lacy music, and they’re at the Jazzschool this night. And Phillip Greenlief will be there, again. He’s on a roll (again).
Sunday, August 9 — Any sfSound concert is a treat. Modern classical music treated with respect, both from the performers and the audience. (You know: applauding the performers as they come out, holding applause between movements of a piece, that sort of thing.) Sunday night’s show includes Karlheinz Stockhausen’s creeping “Kreuzspiel,” Anthony Braxton’s “Composition No. 75,” two premiere works, one very recent composition, and improvisation(s) by the group. At ODC Dance Commons.
Monday, August 10 — Now comes the honesty: I won’t be able to make it to any of the shows listed here. And this one might be the most painful miss, because I really want to see Go-Go Fightmaster in action. They’ll be the first act at the Ivy Room tonight, for free! (See here.) Second on the bill is Ava Mendoza‘s Thrash Jazz Band; she’s done terrific, noisy stuff on her own and with Mute Socialite. The improvised jazz trio The Spirit Moves Us closes things out, shifting gears to a mostly acoustic grouping that’s probably less in-your-face but not necessarily quiet.