Moe Staiano & the Switchboard Music Festival

Moe Staiano has something interesting in the works: a 40-minute composition for nine electric guitars, bass, and drums. It’s called “Away Towards the Light,” and he’s presenting it on May 28 as part of the San Francisco International Arts Festival, at Gallery 308 in Fort Mason.

Moe is a percussionist, and lately he’s been active with his rock band Surplus 1980 (see here), but he’s also led some intriguing projects with the large group Moe!kestra. Some of those pieces have a performance-art element — the most obvious one being “Death of a Piano,” in which Moe would demolish an old piano while the orchestra “accompanied” him.

While his music tends to favor big, loud sounds, he’s dabbled in chamber music, too. Here’s a nifty piece written for Sqwonk, the bass clarinet duo of Jon Russell and Jeff Anderle:

That performance was part of the Switchboard Music Festival, an annual, day-long series of concerts. I’ve never managed to attend, but the lineup is always intriguing, sitting loosely in the realm of new chamber music with shades of pop. Part of the idea is to present music that’s not easy to categorize.

Switchboard is gearing up for a 10th anniversary festival on June 10 at Z Space (450 Florida St., San Francisco). Kronos Quartet is going to headline, and the organizers are hoping to crowdsource some of the costs — you can find the campaign at generosity.com.

In past years, Switchboard has used Soundcloud to post short interviews with the musicians. I liked that idea, and I’m hoping they do it again this year:

 
To close out, here’s a set of random Switchboard links I collected a couple of years ago, a mix of previews and reviews:

New Music Box:
http://www.newmusicbox.org/articles/sfs-annual-switchboard-music-festival-celebrates-the-eclectic/

I Care If You Listen:
http://www.icareifyoulisten.com/2013/04/distinctive-sounds-at-sixth-annual-switchboard-music-festival/

SF Civic Center:
http://sfciviccenter.blogspot.com/2013/04/switchboard-music-festival-notes.html

SF Classical Voice:
http://www.sfcv.org/preview/switchboard-music-festival/switchboard-music-festival-turns-it-on

Bass Clarinet Quartet: Late Classic Era

We are witnessing the Late Classic Period of Edmund Welles: The Bass Clarinet Quartet, apparently. You can bear witness to the last days of this period on Sept. 12 when the quartet plays in a bass-clarinet-heavy concert at the Center for New Music in San Francisco.

The show includes the bass clarinet duo Sqwonk and a performance of a bass clarinet nonet by Jonathan Russell. If you don’t like the sound of the bass clarinet, this will not be the place to be.

As for Edmund Welles’ different eras, bandleader Cornelius Boots lays out the whole chronology on his blog. This wasn’t a decades-long master plan; it’s more that, with benefit of hindsight, he sees the phases of his musical development. He’s been nurturing the idea of a heavy bass-clarinet band since the late ’90s (the Inspirational Era), developing some songs as part of hard-rock band Magnesium. I got turned on to Edmund Welles during the band’s Early Classic Era, as the album Agrippa’s 3 Books came out, and what I’ve written on this blog has covered the Classic Era and beyond.

Boots’ other foci have included teaching — the Edmund Welles album Tooth and Claw now has a companion book that teaches you how to play the songs — and the shakuhachi, the Japanese bamboo flute. He recently recorded a shakuhachi album, Mountain Hermit’s Secret Wisdom, in a cave, exploiting the acoustics to produce meditative pieces such as “Banshiki” — listenable on Bandcamp.

But he’s also playing metal on the shakuhachi, making clever use of athletic tongue-trilling and the instrument’s ability to bend notes. Here’s his cover of “Run to the Hills.”