Coincidentally, one of my pickups at New York’s Downtown Music Gallery recently was an obscure-looking Oliver Lake Quartet CD titled Virtual Reality (Total Escapism) (Gazell Productions, 1992).
Both selections came from my interest in catching up with Lake’s career, but they turn out to have something more in common. Both employ guitarists who were up-and-comers at the time, although they operate on different frequencies.
Zaki is a 1979 live recording featuring guitarist Michael Gregory Jackson, who recorded a handful of free-jazz albums in the ’70s. The trio, completed by Pheeroan Ak Laff on drums, has a bright energy, with corners and angles spilling forth from Jackson’s guitar, frequently aggressive in a Sonny Sharrock mode.
One highlight is “5/1,” which consists mostly of a gutteral, wide-awake trio improvisation.
Virtual Reality is a more “inside” session, albeit with progressive leanings, featuring well known compositions by Charles Mingus and Eric Dolphy, and one by Rahsaan Roland Kirk that’s new to me (“Handful of Fives”).
The guitarist Anthony Peterson, is described by Sam Charters in the liner notes as “one of that creative group of younger musicians who have turned Brooklyn into a new jazz center.” I like that, given that the “new jazz” vibe has kind of stuck even through 2017. Ak Laff is on drums again, with Santi Debriano on bass.
It’s a different listen, feeling pleasantly laid-back during even the most fiery and fluid of solos, and I’m enjoying it. Peterson is more in a straight-jazz pocket than Jackson was, but he’s worthy of attention. Here’s his solo on the title track, where I especially enjoy the way he starts casually spewing thickets of chords:
Neither Peterson nor Jackson seems to have clicked in the free-jazz world. Jackson recorded an interesting quartet album with Lake, (Wadada) Leo Smith, and David Murray called Clarity (Bija, 1977) — but in the long run, he chose to follow his pop/R&B muse. He’s still making music, posting singles to Bandcamp. Peterson recorded three albums with Lake but vanished after that.
It’s just another reminder of how many talented, compelling musicians are out there; there’s always one more deserving name that you’ve missed. And while it’s no secret that Lake is versatile, it’s still gratifying to be reminded that his career took him in so many different directions. Maybe I’ll give another listen to his big-band stuff next.