It Was Half of 20 Years Ago Today

Recently I found this: a promo bookmark from the Hotel Utah, a cool little bar and music venue in San Francisco’s SoMa district:

dscn3549-hotelutah

I believe it’s from 2007. Click here for a full view. Then take a closer look at this entry:

hotel-utah-death-jazz

Search my blog, and you’ll find references to three of those four bands. This would have been one amazing show: punk energy (Mute Socialite, led by Moe Staiano and featuring Ava Mendoza), tangly free jazz (Go-Go Fightmaster, who are the same people as Lisa Mezzacappa’s Bait & Switch), fast-and-fluid prog (miRthkon). I’ll give Mezzkill the benefit of the doubt and assume they were awesome, too.

Don’t take my word for it. Check them out on Bandcamp! Mute Socialite, Go-Go Fightmaster, miRthkon.

Hell of a show. Wish I’d gone.


mutesocialite2007 predates this blog, so this seems like a good time to mention I had an older, primitive site — basic HTML text — where I used to recap my KZSU radio playlists. You’ll find, for example, a short writeup about Mute Socialite, complete with a ghastly formatting error.

In fact you can look up these bands on my old KZSU playlists by using the Find It! utility on Zookeeper, our music database. Type a word or phrase, and it will call up lists of artists, albums, and songs from the KZSU library, as well as relevant playlists. Give it a whirl.

Lastly — Special shoutout to Aaron Novik’s Kipple, who can be seen at the top of the bookmark. They’re on Bandcamp, too.

Lisa Mezzacappa’s Bait & Switch

Lisa Mezzacappa’s Bait and SwitchWhat Is Known (Clean Feed, 2010)

This is a long-standing Bay Area band that plays Mezzacappa’s compositions, but the same people (including Mezzacappa) also form the band Go-Go Fightmaster, another awesome slice of free jazz.

(INTERLUDE: Go-Go’s got a gig Sept. 6 at the Make-Out Room. Go!)

But Go-Go is more slash-and-burn, while Bait and Switch is rooted in the free jazz of Henry Threadgill and Eric Dolphy (two choices among the influences Mezzacappa lists in the liner notes).  Songs here do include untethered free improvising, but many of them are cemented by swingy heads that recall the best of ’60s/’70s jazz.

I don’t want to make too much of the retro connection, though, because the album doesn’t sound retro. These are modern originals, with composing that stems from Mezzacappa’s exercises in transcribing solos. (Some of these pieces might also be derived from the group’s improvisations; I remember hearing her saying something to that effect.)

John Finkbeiner’s guitar certainly reaches beyond jazz, especially when he adds distortion and fuzz, as in his solo on “Zzllzzpp.”  Aaron Bennett’s subsequent sax solo on that track might sound friendly and swingy, but it’s accompanied at first by a bumpy bass (Mezzacappa) and drums (Vijay Anderson) rhythm, and later by an evil and raucous set of riffs from the band.

For cover songs, you’ve got nonobvious choices. Captain Beefheart’s “Lick My Decals Off, Baby” is appropriately stabbing and buzzing, with a head that’s got an infectious rolling swing to it. “I’ll Be Right Here Waiting” is a composition by Steve McCall (drummer of the trio Air, among other groups), turned into a reverent bass solo.

A couple of quieter tracks later in the album, like “Catalypsoclysmic,” are a treat. Then, near the end, there’s “What Is Known,” where the band really blows off the doors, creating a wail that draws back on the passionate, political style of free jazz.

Here are two takes on a bright, catchy song called “The Aquarist” — one from Sacramento’s In the Flow festival, and one from a house concert. It’s got a bright, swingy theme and some space for sax and guitar solos. You can also catch early recordings of Bait & Switch songs on Mezzacappa’s Myspace page.

… And, if you care, I saw this band live about a year ago. Really glad that they found a good home for their first album.

Aram Shelton’s Active Music

source: edgetone records.comOct. 13: First Tuesday morning live interview. Went off without a hitch. (That is, without a hitch that was traceable back to me. )

The subject was Aram Shelton, who had a few gigs coming up that he wanted to publicize. At the same time, this morning’s interview was a good way for me to find out what he’s up to, as far as organizing shows. He’s been a busy guy since coming here from Chicago to attend Mills College — and that’s without his Ton Trio intact, as one member’s fled to the midwest.

Here’s what he has (or had) coming up, mostly under the banner of what he’s calling the Active Music Series:

* Active Music Orchestra, a 13-piece group that has a monthly residency at The Uptown. This is particularly exciting, because the group will stay together long enough to cohere into a group, something that’s so hard to accomplish these days. They’ll be playing various group members’ compositions. Sadly, I’m a day late in telling you about this, but they’ll be back on the second Tuesday in November.

* Ton Trio will be making an appearance, with Chicago drummer Frank Rosaly, at Bluesix on Thurs., Oct. 15.

* Aram is part of the newly re-formed Go-Go Fightmaster, which has a new CD (yes!) and is playing as part of the SIMM series: Sunday, Oct. 18, at the SF Musicians’ Union Hall (116 9th St. near Mission).

Aram’s compiling a blog of his shows. Awesome title: The Last Time I Played.

I’m grateful to Aram for being my first guinea pig. Not that a morning interview is painful or anything; it’s just that Friday afternoon made for easy scheduling no matter who wanted to be on the show, whether live or via phone, whether in person or from the east coast. But when you’re talking Tuesday morning, you get interference from day jobs, sleep cycles, and kids. I sense a lot of Monday evening pre-recording sessions in my interviewing future.

Upcoming Live Shows: Early August

Some upcoming Bay Area shows of note. Always check the Transbay Calendar or Bay Area Improvisers’ Network first! Most of this info was cribbed from there.

Tuesday, August 4 — Mary Halvorson is coming to Yoshi’s Oakland with the same trio that performed on Dragon’s Head, the CD that garnered her so much attention last year. I’d noted this here. There’ll be only one set, at 8:00 p.m. So sad that they can’t put up two sets.

Corn moon. Source: space.fmi.fiThursday, August 6 — At the Luggage Store Gallery, Polly Moller is curating a monthly series of 12 shows, each celebrating the monthly full moon and dedicated to a particular type of full moon from folklore. This month, it’s the Corn Moon. First on the bill is the duo of Karl A.D. Evangelista (guitar, vox, misc.) and Margaret Rei Scampavia (piano/keys, accordion, flute, saxophone, vox, misc.), performing as Grex. They’ll be followed by Phillip Greenlief and David Boyce, a tenor sax duet, who will “explore the identity of corn in Native American Mythology and everyday life.”

Thursday, August 6 — Uh-oh, a conflicting, yet also terrific, show: Vinny Golia will be up from L.A. for a performance that happens to be titled “Up from L.A.” He’ll be performing his compositions with a local troupe that includes strings and a jazz grouping, so you might get to hear a mix of his free-jazz work and his more classical/abstract composing. At Flux 53.

Friday, August 7 — The Best of the East Bay party includes music from a few Bay Area standouts, including David Slusser and Damon Smith. You’ll also get to hear Phillip Greenlief again, this time with his trio Citta Di Vitti, which plays swingy jazz inspired by the films of Michelangelo Antonioni. This time they’ll perform alongside projections of the films, apparently. At the Oakland Museum of California.

Saturday, August 8 — I don’t know much about Ideal Bread, but they’re from New York, they play Steve Lacy music, and they’re at the Jazzschool this night. And Phillip Greenlief will be there, again. He’s on a roll (again).

source: sfsound.orgSunday, August 9 — Any sfSound concert is a treat. Modern classical music treated with respect, both from the performers and the audience. (You know: applauding the performers as they come out, holding applause between movements of a piece, that sort of thing.) Sunday night’s show includes Karlheinz Stockhausen’s creeping “Kreuzspiel,” Anthony Braxton’s “Composition No. 75,” two premiere works, one very recent composition, and improvisation(s) by the group. At ODC Dance Commons.

Monday, August 10 — Now comes the honesty: I won’t be able to make it to any of the shows listed here. And this one might be the most painful miss, because I really want to see Go-Go Fightmaster in action. They’ll be the first act at the Ivy Room tonight, for free! (See here.) Second on the bill is Ava Mendoza‘s Thrash Jazz Band; she’s done terrific, noisy stuff on her own and with Mute Socialite. The improvised jazz trio The Spirit Moves Us closes things out, shifting gears to a mostly acoustic grouping that’s probably less in-your-face but not necessarily quiet.

Playlist: Feb. 13, 2009

KZSU playlist for Friday, Feb. 13, 3:00 to 6:00 p.m.

Some highlights:

Continue reading “Playlist: Feb. 13, 2009”