KZSU’s Day of Noise — 24 hours of live on-air performances in the studios of Stanford’s college radio station — came and went last month, but you can see and hear the whole thing. Jin, who’s videoed and photographed the event for the past several years, went all-out this time, with two cameras per studio and lighting filters to boot. The full 24 hours were streamed live in two 12-hour segments (YouTube sets a 12-hour limit on streams) that are available now.
Bonus: That’s my voice at the start or Part 2. I was asked to stall for time, to make sure no music got lost as we made the transition between video streams.
Smurph, who handled sound engineering for all 24 hours, made an audio recording of each act separately, and you can find those files on KZSU’s Day of Noise web page.
It’s here again: The KZSU Day of Noise, 24 hours of live noise/improv performances, broadcast across the free airwaves, streamed over the Interwebs, and stored for posterity on YouTube.
From midnight to midnight (Pacific time) on Saturday, February 9, 2019, musicians will be performing live at the KZSU studio, playing laptop electronics, analog electronics, acoustic instruments, electric guitars, and whatever other noisemakers they decide to bring. Artists will perform for 30 or 60 minutes apiece. See the full lineup here.
In the Bay Area, tune in to KZSU on the good old-fashioned radio at 90.1 FM. Elsewhere in the world, stream the show live at kzsulive.stanford.edu. We’ll probably have a live video feed running as well (in the past, it’s been on YouTube).
The last few Days of Noise have been archived on the KZSU site in both audio and video forms, so you have plenty of material to get acclimated for the big event.
We have loads of fun putting this on every year, and I’m so grateful to the KZSU staffers who make it happen. Abra masterminds the whole thing — many thanks to her for keeping the idea alive — while Smurph does the bulk of the audio engineering and Jin documents the event in video and photos. Other DJs like me chip in where they can, moving gear, delivering food, giving directions over the phone. And the musicians have loads of fun. Please do tune in, any way you can.
I’ve posted Day of Noise photos a few times before. Have a look:
The Day of Noise us upon us! Or, it will be, in a few days! Click the image above to go straight to kzsu.stanford.edu/dayofnoise/2018 to see the musicians who will be playing live, on-air, from midnight to midnight Pacific time on Saturday, Feb. 10.
The full schedule has now been posted to KZSU’s site. Give it a click to see the 40+ artists who’ll be performing live on-air starting at midnight that Saturday.
You’ll also find descriptions of the artists — important for the groups that consist of a few well known local improvisers, such as Revenant Quartet, Oa, Tiny Buttons, and Ear Spray.
You’ll find KZSU (Stanford University’s radio station) at 90.1 FM in the San Francisco Bay Area. The signal, originating near Palo Alto, tends to reach from the city’s SoMa district down to at least San Jose, and possibly eastward to Fremont (I haven’t check that direction in a long while).
All day on Saturday, Feb. 4, from midnight to midnight (or 12:01 a.m. to 11:59 p.m., if you want a little less ambiguity), radio station KZSU-FM at Stanford University will present Day of Noise, 24 hours of live, on-air performances of improvisation, electronics, way-out jazz, and just plain noise.
It’s a ritual that’s been kept alive by Abra (who goes by Dr. Information when on-air) for the past several years. She’ll be hosting all 24 hours, as she has for other recent Days of Noise.
We at KZSU take Day of Noise seriously. There’s a green room in another part of the building, isolated from the bustle, where musicians can chill before and after their sets. We provide food. We run two separate performance spaces, so that one can set up while the other is in use — this makes for seamless transitions between acts. And musicians and volunteers get cool T-shirts.
The level of interest from musicians has been off the charts. In past years, we struggled to fill 24 hours; now we struggle to pack everyone in. Most artists will perform in 30-minute shifts, with the exception of a few 1:00 a.m. and 2:00 a.m. types who’ll get a full hour. (So will Karl Evangelista, at 8:00 p.m., according to the schedule I’ve seen.)
If any of this sounds familiar, it might be because I’ve blogged Day of Noise since 2012, including some photos. Check it all out here.
And if you want a sample of the noise to come, KZSU has posted all 24 hours of audio from last year’s Day of Noise. Enjoy.
I always considered radio DJ’ing to be a kind of performance. Certainly lesser than actually performing on a musical instrument, but it did require attention to rhythm, balance, and audience.
Electronic musician Matt Davignon, in that sense, has conducted his own ongoing performance through his podcast, World of Wonder, and now he’s taking it to the live airwaves.
He’ll be guest-hosting “Discreet Music,” a Sunday late-night show of experimental music and modern classical, on KPFA-FM (94.1 for those in the Bay Area) June 5 and 19, both shows starting at 10:00 p.m. Pacific time.
Discreen Music is an excellent show that’s been hosted by Dean Suzuki for years. You can find previous playlists at kpfa.org. Here’s the most recent one, hosted by Suzuki. Steve Reich, Elliott Sharp, Harry Partch — it’s a pretty good representation of the show’s personality.
Statistically, most of you won’t find this post until after June 5 … but if nothing else, it might get Discreet Music and World of Wonder onto your radar.