Laura Jurd — Stepping Back, Jumping In (Edition, 2019)
Trumpeter Laura Jurd might be best known for her quartet Dinosaur, which mixes creative jazz with a pop aesthetic. It’s decent stuff, quite hip. But Stepping Back, Jumping In is a different animal: a tumult of ideas from Jurd and four other composers, drawing from a rich pool of creativity.
Commissioned by King’s Place in London and featuring 15 musicians in various combinations, Stepping Back does have a cohesive sound, a brainy jazz approach with a sense of humor. Jurd opens the album with her composition “Jumping In,” a multi-paneled mural full of swirling colors, complete with banjo. The hyperactive opening really does jump in, and the piece doesn’t let go from there, seemingly piling on with ideas from every corner of Jurd’s brain.
Strings feature heavily. The Ligeti Quartet, who worked with Jurd on Landing Ground (Edition, 2012), contribute a variety of textures, including elements of circus-y classical, the folk-tinged whimsy common in European jazz. The Ligetis are not just an adornment, but the core fiber of some pieces.
“Ishtar” builds a spare but bustling landscape where crooked and/or whimsical denizens pass by — it’s almost like surreal people-watching. Elliott Galvin composed that one (he and the other Dinosaur members appear in various spots on the album) and contributes and a lush piano solo. “Companion Species,” composed by Anja Lauvdal and Heida K. Johannesdottir, starts with a hailstorm of prepared piano and a Bitches Brew-style flash mob jam, before jumping into a funky groove that gets fusion-proggy toward the end.
The album is not all frantic. “I Am the Spring, You Are the Earth,” composed by Soosan Lolavar, is more about a feeling than any specific melody. Jurd’s trumpet joins the strings and a percussionist for what feels like a guided improvisation, with the sound blooming like the gradual, gentle ending of a long winter. Jurd displays a more conventional type of composing on “Jump Cut Shuffle,” a straight string quartet (by modern standards) based on a catchy recurring melody — but it’s neither staid nor straightforward.
For more about Jurd: All About Jazz ran an interview in May, discussing composition, the formation of Dinosaur, and influences from Stravinsky to Deerhoof.