An Italy-Canada Connection

ITACA 4tetVortex (Nusica, 2020)

Springy and optimistic, the ITACA 4tet is a smiling bundle of Eurojazz, even if half its members are Canadian. (The name comes from the Italy-Canada connection.)

The quartet thrives on the interplay of clarinetist Fran├žois Houle and alto saxophonist Nicola Fazzini. A track like “Sketch 26” uses a brief composed line to launch a fast flow of musical doodles, both horns tossing out ideas, propelled by Alessandro Fedrigo on bass guitar (a nice choice that creates a fluid low end throughout the album) and Nick Fraser leaning heavily on the snare drum.

The group explores in a welcoming way, tracing pleasantly zig-zagging paths. Faster numbers are always enjoyable, but it’s during the slower passages that the two-horn interplay can get especially rich, as on the playfully warbling “Saturno.” Houle has a knack for merging the serious and lighthearted sides of improvising, and the rest of ITACA has the same mindset. Even “The Third Murder,” which opens with discontented hive buzzing, slips into bubbly tunefulness.

“‘Nette,” composed by Carlos Ward, does indeed echo Ornette Coleman with its sunny, melody-driven theme. When the solos start, Fraser’s drumming pull back abruptly to signify the newly opened space, while Fedrigo keeps the mood and tempo uplifted.

“‘Nette”