CHAMA

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CHAMA — Hexagono (Falcon Gumba, 2020)

CHAMA applies a garage-band approach to creative jazz, creating music that’s rigorous but just feels fun. The violin-guitar-drums trio met years ago in Venezuela (where “chama” is colloquial for “girl”) and have since reconvened in New York. Having released a couple of EPs a few years ago, they’ve been issuing digital tracks this year on the Falcon Gumba label, run by violinist Leonor Falcón.

On “Hexagono,” CHAMA dips into smart math rock, built on a glitchy phrase that ends with an unmistakable flourish. “Carupano” runs at a cooler temperature on a sly but energetic jazzy groove. And “Kids,” written by drummer Arturo García, puts heavier emphasis on Juanma Trujillo’s guitar, a midtempo chugging followed by slow, bluesy reverb.

Outside CHAMA, Falcón’s creative music output has tracked closer to jazz. Her album IMAGA MONDO, esperanto for “imaginary world,” includes Trujillo alongside bass clarinet and drums, playing music ranging from modernized swing (“Gnomes”) to abstract melodic sketches (“Nymphs and Spaceman,” with multiple overdubbed violins) to an uplifting anthem (“Humanoides.”) A playful violin-viola duet called Peach & Tomato, pairing Falcón with Sana Nagano, operates on a sense of conversational forward motion, adding some electrified sounds for texture.

Trujillo has some output on Falcon Gumba too. El Vecino is a quartet with trumpet; Sferos is a trio with sax and drums that gets into some looser, untethered exploration.

Here are a few more snippets of CHAMA in action.

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