Inward Creature — Inward Creature (self-released, 2020)
Inward Creature spins giddy but smart pop songs where the musicianship is on point and the ideas are flinging madly from all sides, from the outright absurd to the earnest (I think) pop love song “Carly.” The attitude skews toward class cloud but ranges all the way to sincere singer-songwriter. The genre influences run from metal to lite rock, with an honestly catchy country melody thrown in (“Pull Over to Pray,” which is musically so straightforward it seems out of place).
If you start with “Liar” — where the chorus is “I’m such a f**king liar” repeated eight times — you’ll think you’ve stumbled onto a novelty band. But that’s not the right box for these guys. “Jilly Jolly” is heavy in guitars and mood (the opening has shades of “Dirty Boy” by Cardiacs) and “Everybody Nose” (yes it’s a pun) turns out to be a mini-suite with a serious middle amid the stomping cleverness.
Farther out on the goofiness axis, “My Time in the ’60s” sounds just like its title, musically conjuring up TV game shows and explosive yellow and orange fashions. “Little Things” takes a nursery-rhyme 6/8 melody and packs it to the gills with lyrics for a cute, likable package. “Reptile Tears” is part smart-alecky prog, part skate-punk, part cartoon, with a moody avant-jazz sax solo.
If you’re looking for a more direct link to avant-garde jazz, note that the drummer here is Jordan Glenn. He plays heavy improv in the Fred Frith Trio, artsy folk/prog with Jack o’ the Clock, and jazz in any number of ensembles — and he has an offbeat sense of humor himself. He named a band Wiener Kids and named one of their albums Why Don’t You Make Me?
You can hear the whole Inward Creature album on Bandcamp. But first, you gotta take 2 minutes and hear “My Time in the ’60s.” You just do. And as long as “Pull Over to Pray” is stuck in my head, I might as well try to stick you with it too.