Lords of Outland at 25

Lords of Outland play a house concert Saturday, Dec. 21, at a venue called Sunnyvale — venue details here.

Rent Romus’ Lords of Outland25 Years Under the Mountain (Edgetone, 2019)

romus-25The band has undergone many personnel changes, but the name continuity of the Lords of Outland survives as a bread-crumb trail through time. 25 Years Under the Mountain includes some compositions from the Lords’ back catalog, but it is not a retrospective CD — it’s the latest permutation of the Lords, a quartet with Alex Cohen joining on guitar.

Lords of Outland is a free-jazz collective that also takes cues from the darkness of H.P. Lovecraft; the alternating hopefulness and despair of science fiction; and the joyful open-mindedness of free improvisation. You have to admire saxophonist/leader Rent Romus’ drive, keeping his music and this band going. (He also runs the annual Outsound New Music Summit, which I ended up missing this year. He organizes and runs this thing every year, and I sat out a year from my exhausting duty of sitting and listening.)

Where previous Lords albums dabbled in electronics, 25 Years features Cohen’s prickly, springy guitar (he also plays viola da gamba for the gently free-form sprint “Homeward Bound.”) The rhythm section remains the same as in recent years: Ray Schaeffer on fluid, hardy six-stringed electric bass and Philip Everett adding constructive clatter on drums. You get a taste of their combined freedom and bombast in the intro to “Grown out of Stone:”

 
Lords of Outland has always spread out its influences both toward and away from the jazz tradition. “Systemic Fault is a breathless free-jazz sprint, while “Like tears in ice” has Romus playing in a smoky and even romantic mode. That track jumps straight into the bumpy rhythm of “Ape of God,” colored by standalone thwacks by Everett on drums. (The album includes a second take with fluid drumming that serves as a more conventional free-jazz launching pad.)

 
You can hear more of the album on Bandcamp.

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