The Lie Detectors — Part III: Secret Unit (Chant, 2018)
The Lie Detectors could be classified as a jazz duo, but in fine downtown fashion, it’s jazz with hefty shots of bombast: the heavy crunch of “Rice;” the light touch of “Go” that descends into a sinister, shamanistic guitar sounds; the echoey and folky strains of “Closer” mixed with sparse improv. Punk and metal get their say in the next track, “Here and There.” Those four track are the way Secret Unit starts.
Eyal Maoz (guitar) and Asaf Sirkis (drums) have known each since age 10. Now living in New York and London, respectively, they’re charting impressive musical careers. Maoz is a member of the Lemon Juice Quartet and Shanir Blumenkranz’s Abraxis (which got to record one of John Zorn’s Masada Book II albums), and he leads bands including Edom, Wild Type and the eclectic power trio Hypercolor. Sirkis has been playing with jazzsters including Larry Coryell, Dave Holland and John Abercrombie.
They’ve released two other duo albums: Elementary Dialogues (Ayler, 2006) and Freedom Has Its Own Taste (Fasson, 1998). They don’t seem to have used the Lie Detectors name with those releases, and maybe with good reason — the name is the top secret organization that they formed at age 10. Apparently they’ve decided it’s time to reveal the secret.
Maybe that means more Lie Detectors records to come. Secret Unit‘s varied styles are held together by a cosmic constant of jagged energy and wide-grinned attitude. “Flying Horse” gets into a catchy little groove, but not after a nifty intro of spackled non-rhythm. “Circles” plays like an improv-minded mutation of surf music, with Maoz echoing away against Sirkis’ continuous wave of rolls and snare. Then there’s the relatively quiet noodling of “Sting” and the choppy rock anthem of “Green Shirt.” But it feels cohesive, like two people speaking the language of a decades-old secret society.