I came to know drummer Alvin Fielder’s name through his improvised-jazz work with pianist Joel Futterman and saxophonist Ike Levin, as several of those CDs crossed KZSU’s transom in the early 2000s. Later, Bay Area bassist Damon Smith moved to Texas along with his Balance Point Acoustics record label, released a series of recordings involving Fielder.
Here they are in a robust duo improvisation:
And while I’m there, here’s a look at Fielder’s quiet side, backing up Smith on the Johnny Dyani composition “Roots” and taking a long solo at the end:
But of course Fielder, who died this month at 83, had an accomplished career long before I “met” him. He was a co-founder of the AACM and appeared on one of its first albums, Roscoe Mitchell’s Sound in 1966. He stayed in his native South rather than doing the free-jazz thing of traveling Europe but remained active, recording with saxophonist Kidd Jordan for more than 30 years. This 2013 release on NoBusiness Records features the two of them in concert with bassist Peter Kowald:
He also had a long association with trumpeter Dennis González and his sons Aaron and Stephen González. They played on A Measure of Vision (Clean Feed, 2007), technically Fielder’s only recording as a leader — although it’s no stretch to call him the co-leader of the many improvises sessions he recorded. Most of the album puts Fielder in a trio with with Chris Parker (piano) and Dennis González (trumpet). “Max-Well” is a bright Fielder composition quoting “A Love Supreme” and, with its free use of snare accents, probably nodding toward Max Roach as well (Fielder cited Roach as a key early influence), while “The Cecil Tayler – Sunny Murray Dancing Lesson” is a beautiful dirge with flowering piano and, in place of a bass, Fielder’s toms. (Spotify login required to hear entire tracks — apologies for that.)
Writer Clifford Allen is a longtime champion of Fielder’s and published a lengthy interview with him on the All About Jazz site in 2007. Allen apparently introduced Fielder to Damon Smith. It’s through Allen’s blog, “Ni Kantu,” that I found this: a fiery 1976 TV appearance by the Improvisational Arts Quintet, a band that included Jordan and Fielder. Their recorded output is limited to one obscure LP (1983) and one side of a Rounder Records compilation (1988), so it’s nice to have this document available.
To end on a cathartic note, here’s a live take on “Max-Well” with Kidd Jordon on sax and London Branch (of the original Improvisational Arts Quintet) as one of two bassists. It’s from a 2009 tribute to Fielder in his hometown of Jackson, Mississippi.