I discovered saxophonist Pablo Ledesma through his recent duo album with pianist Agustí Fernandez, which I wrote up in March, and I decided to seek out more of his work.
So, here’s Ledesma in a quartet setting (“Cuarteto Orillas”), tacking long-form improv. It’s a 2015 performance at the Buenos Aires Jazz Festival. I’m particularly keen on the bassist, Mano Hurtado — he’s well amplified so you can pick up his agile sound.
The group explores briskly for a sustained period in the beginning, leading into a slow section, around the 10-minute mark, that’s still colorful and far from passive. Hurtado gets an early short solo that shows a lot of color, and I really dig his work on the straight jazz segment that starts around 19:00.
That segment leads into an explosive duet between Ledesma and drummer Javier Puyol. On the more serious side, there’s a regal movement around 40:00 that leads to a florid, elegant piano solo. The 57-minute performance culminates in a frenzied passage with the camera trained on Puyol, Ledesma, and Hurtado, the last two blowing especially hard.
It’s staggering to think there are so many musicians in the world pursuing creative music, many of them in corners I’ll never reach. That’s true of every kind of music, certainly, but this kind of improvised jazz — let alone the noisier kind, and noise-oriented improv — appeals to a smaller audience. That these lines of communication reach so far is a wonderful thing.