Karl Evangelista/Grex — A Love Supreme (Brux, 2017)
You can tell from the start that this isn’t a conventional reading of A Love Supreme, and not just because it’s guitar-based. Karl Evangelista and the band Grex start the piece with the same kind of wide-open introduction as the original, but in a voice that suggests what’s to come: a hard-digging psychedelic guitar opera.
With guitar and keys, bass and drums, and a couple of sparkling trumpet solos, it’s a satisfying treatment — a 25-minute EP being released as precursor to Grex’s next album. The structure of the four-movement piece remains intact, and there’s even a drum solo to open “Pursuance,” as on the original. What’s different is the transformation of the themes into rock form. Check out “Resolution,” where Evangelista plays the snakey composed line while Grex backs him with sinister chords.
The seminal moment of the original piece is Coltrane singing the “a love supreme” chant at the end of “Acknowledgement.” I can’t believe I never noticed this, but Coltrane sings his phrase in each of the 12 different keys. On Grex’s version, it’s the band who plays that theme, hopping from key to key while Evangelista’s guitar dances over the fast-shifting landscape.
The rock treatment is interesting when you consider that the original is based on wide-open modal playing — no ostinato, no riffs to clutch onto. Rock, of course, relies on repeated themes and rhythms that back the solos. It’s a fun translation, as “Pursuance” turns into a head-bobbing rocker with a solo of fuzz and feedback. “Psalm” becomes a cooldown study in slow-burning guitar and electric piano.
Listen to (and buy) the whole album at Bandcamp.