Gordon Grdina, François Houle, Kenton Loewen, Benoît Delbecq — Ghost Lights (Songlines, 2017)
A sense of mystery lingers over Ghost Lights, the product of four veteran Vancouver improvisers. They aren’t in a hurry, which gives these lengthy compositions and improvisations a feeling of carefully plotted novellas.
“Ley Land” might be the extreme example of this. The 16-minute piece emerges in small sketches, often improvised by only two or three of the players. For a time, drummer Kenton Loewen on brushes and pianist Benoît Delbecq shape the piece. Later, François Houle on clarinet and Gordon Grdina on guitar help build toward a tense, unsettling climax — one that resolves in a slow blooming rather than a burst of activity.
Delbecq loves prepared piano, and it gets put to good use. “Gold Spheres” is a deliciously slow and sparse improvisation for five minutes before Delbecq’s light tapping comes in, suggesting delicate, fantastical clockworks. Prepared piano and a bit of muted guitar add a gently clicking, percussive string sound at the end of “Waraba,” a folky piece backed by a comforting drone that Houle helps lay down, playing a role that Chris Speed so often favors.
Long, silvery clarinet tones help set the mood for the title track: an appropriately ghostly and floating backdrop set against a subtle, pleasant melody tapping away on Grdina’s guitar. Houle eventually breaks away for some more aggressive off-harmony wails.
Amid all this moodiness, there’s one downright springy track: “Soft Shadows” A touch of jazzy shuffle, a touch of blues — it’s snappy yet doesn’t clash with the album’s unhurried atmosphere. These guys went into the studio knowing what they wanted to accomplish, and they’ve produced an album with a cohesive atmosphere.