Burning Ghosts — Reclamation (Tzadik, 2017)
Descriptions like that always leave me skeptical, since the mixing of any two genres tends to select the weakest tonics from either side, particularly the jazz. (That was especially true of jazz/hip-hop mashups, as I often discussed with KZSU DJ M-Smooth in the mid-2000s.)
But this mix works. Daniel Rosenboom‘s trumpet is at the center of the music, played in bright, crisp tones that very much signal “jazz.” On the metal side, it’s Jake Vossler and Richard Giddens swimming in the throttling smoke of guitar and bass, driven by Aaron McLendon on the drum kit.
Rosenboom has explored similar territory with the Los Angeles band DR. MiNT, mixing jazz horns and outer-limits guitar. He’s at home here, as you can hear on “FTOF,” a track that gets Reclamation off to a zooming start.
The opening of “Harbinger,” meanwhile, is a slow drag through thick brambles, leading to a shredding attack:
Rosenboom describes Burning Ghosts as an activist band, and you can hear traces of that in the dire urgency of “The War Machine” and the scorching grandeur of “Revolution.” There’s anger in here, but it’s packed with brainy and adept musicianship.
I get a jazzier vibe from the band’s 2016 Curve Line Space performances, with Tina Raymond on drums and Tim Lefebvre (of Donny McCaslin’s band) on bass. On Reclamation, Rosenboom and Vossler are more intent on going for the jugular, airing the band’s metal side. But don’t discount the jazzy moments like the bass-drums shuffle of “Gaslight” and even the light-touch rhythm section backing the guitar shredding on “Catalyst.”