Matt Mitchell [playing the music of Tim Berne] — førage (Screwgun, 2017)
Førage is an album that demands attention. You have to listen actively, letting Matt Mitchell‘s unaccompanied piano guide you down his twisty trails.
The storyline is that Mitchell, who’s been the pianist in Tim Berne‘s band Snakeoil, is interpreting Berne’s compositions, combining multiple songs per track. Blending it all with his own improvisational instincts, Mitchell creates dense, fractal-like structures that carry an elegant air, whether the mood is crystalline and quiet or stern and hammering.
Satoko Fujii’s recent solo album, Invisible Hand, is more direct, sampling a variety of jazz and blues forms. Her music takes plenty of unexpected sharp turns, but you can quickly absorb the moment of whatever passage you’ve dropped the needle onto. førage is a more difficult read.
Both approaches produce admirable results. I loved Invisible Hand, and I’m also savoring the intricate puzzles of førage.
Touches of Berne-ness are recognizable — at the start of “RÄÅY,” or in the recurring riffs that appear in “TRĀÇĘŚ,” — but the overall effect is a melting pot. It’s better that way. If I saw a title like “Simple City,” off the first Snakeoil album, I’d be looking for snippets of the composition.
Lacking any such touchstone, the mind is left free to admire Mitchell’s labyrinths. “ŒRBS,” in particular, is darting and densely packed, and it’s exciting when Mitchell lifts the sustain pedal for an unembellished glimpse of his technique. “CLØÙDĒ” lives up to its name on two fronts, starting out gossamer and innocent but building into a relentless storm.
The track not to overlook is “ÀÄŠ,” the long, slow one. The mood is one of high art, with a glacial opening and echoey sustain pedal, and it builds to a passionate, whirling crescendo.
Interestingly, førage seems to be Mitchell’s first solo piano album. His collection of practice etudes, Fiction (Pi Recordings, 2013), was a duo album with drummer Ches Smith, and his solo outing vapor squint, antique chromatic (Scrapple, 2006) was an extended noise collage.
While førage can be purchased as a download on Bandcamp, Berne considers the physical CD package vital to the experience, with its art by Steve Byram and photos by Berne and engineer Daniel Goodwin. Like Berne, I grew up in the age of LPs and glorious album art, so I would echo his plea: “I hope we can sell these bastards cause I’d really like to do more Screwgun stuff.”