Photos: KZSU Day of Noise 2017

KZSU’s Day of Noise came and went last Saturday, and a glorious time it was.

Dr. Information held down the mic for all 24 hours, as far as I know (I skipped out on the ending myself) and Smurph led the sound engineering crew for the entire time as well.

Me, I was around for the breakfast/lunch shift, early-ish a.m. to midafternoon. Below is my photo journal of what went down during that time. Click for full-sized photos.

I would add that you should keep watching the Day of Noise page, because there’s a good chance that recordings of the performances will eventually be posted there.

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Andrew Weathers begins his 6:30 a.m. solo guitar set. Jin sets up the laptop that broadcast the live Day of Noise feed on YouTube.
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A Day of Noise tradition: a T-shirt signed by all the artists.
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Oa (Matt Davignon and Hugh Behm-Steinberg) set up in the hallway before their set. They lifted the table and moved it into the KZSU newsroom (open door at the end of the hall) for their performance. With artists continually setting up and tearing down, this has become a pretty standard Day of Noise routine for the electronics-heavy acts.
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Oa in action: A sublime set of manipulated monologue recordings, electronic noise, and ghostly sustained tones.
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Return of the Sluss-o-matic! Dave Slusser, Day of Noise regular and all-around sound instigator, gave us an hour of field recordings, saxophone, digital tones, flute, and good old-fashioned analog noise.
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From left: Jacob Felix Heule, Aurora Josephson, and John McCowen return to Day of Noise, playing in Studio A. Note the archival Day of Noise T-shirts on the walls.
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Josephson during a particularly intense passage.
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It was such a treat to see Bran(…)pos (a.k.a. Jake Rodriguez) for the first time in years. Skeptics will tell you noise is just “noise,” but a sense of timing — similar to comedic timing — and a sensitive touch make a world of difference. Bran(…)pos’ set of tightly controlled washes and strategically placed blips was captivating, especially on headphones.
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The Bran(…)pos posse included this little guy, and yes, he became a sound source as well.
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As seen from the mixing board: ZE BIB! (cellist Shanna Sordahl and percussionist Robert Lopez) in a moment of concentrated attack.
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Rent Romus’ Road to Aacheron, quartet version, seen through the hazy double panes of KZSU’s main studio. This was a preparatory run for the full Road to Aacheron project, which will include a nine-piece band (IIRC), a choir, and Romus narrating an H.P. Lovecraft-inspired storyline.
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As The Lickets began setting up, just after 2:30 p.m., it was time for me to head home. Congrats to KZSU for another solid Day of Noise, and thanks to the artists who participated.

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