Rent Romus, Teddy Rankin-Parker, Daniel Pearce — LiR (Edgetone, 2016)
Early on in “SGLT1,” Teddy Rankin-Parker‘s cello tells you a lot about this improvised trio session. Scraping the bow so hard that it’s sometimes barely able to move, he emits metallic whinnying and teeth-grinding sounds, like industrial machinery being towed across a factory floor.
Rent Romus, meanwhile, chops away at clean, stern saxophone lines, cementing the mood, enhanced by the pockets of time where Rankin-Parker moves into jazzy bass-like work. Drummer Daniel Pearce sustains the energy with soft patters and fills.
Taking its name from both the Irish wind god and the field of genomics, LiR is a 35-minute mini-album or maxi-EP, consisting of five inspired pieces from a live set. Rankin-Parker and Pearce have recorded and performed as a duo and as part of Broken Trap Ensemble. Here, they’re matched with Romus to put a tinge of jazz onto their edgy explorations.
LiR is full of buzzy, noisy improvising, but the trio is also willing to build from elements of melody and swing. “GLUT4” opens with crystalline pinging on cello and some swinging jazz from Romus, played in a choppy, catchy vein. The short, closing “mRNA” is almost like a metal song, with deep cello pulses like power chords and crashing energy all around.
Quiet phases get their turn too, usually after a tumult like the gloriously bubbly opening of “tRNA,” where Romus flutters noisily on what sounds like an exotic reed instrument (but might be just a sax played with extra rasp). That track later settles into a near-trance mode, with a fast cello pulse against slow Romus solo, a somber soliloquy built from rich sax tones.