We visited the Monterey Aquarium last weekend, and it wasn’t until we were nearly in Monterey that I remembered one reason why I love that drive so much. It isn’t the thick tourist traffic or the trucks on two-lane roads. It’s the chance to tune in KPIG.
Based near Santa Cruz, at 107.5-FM on the dial, KPIG doesn’t play avant-garde music, but its style might be considered shocking by today’s standards: Actual DJs select the music without regard to marketing data. As the station’s website puts it:
We’re an anachronism – a throwback to the days when real DJs picked out the music, and listeners expected something more from a radio station than just a couple of hundred songs repeated over and over, with some “big voice” guy yelling about how great it all is.
I’ve noted before that I’ve backed away from the classic rock of my younger days. KPIG is different. The programming has roots music as a base — country-rock and bluegrass, you might say — but with liberal doses of blues, funk, jam bands, and lots of obscurities or corner-case artists that you wouldn’t find on mainstream radio of any stripe. And when an overly familiar tune shows up, it’s the exception, not the rule. Check out a playlist and see what you think.
KPIG is a rare gem. Even college radio is losing this spirit, this willingness to challenge the listener and serve as a gateway for musical discoveries. KPIG charges a nominal amount to listen online — $5 per month or $50 per year — and it’s so worth it, just to know that radio like this can still survive in this cold cruel world.
As for the drive to Monterey, I caught wind of two songs that have become new favorites of the moment — John Fullbright’s “All the Time in the World” and Abigail Washburn’s “Chains.” Neither one is brand new, sure. But KPIG was there to tell me about them.