Starting tomorrow in San Francisco, the week-long Outsound New Music Summit will convene for the 15th time. It’s a week-long series of shows celebrating creative music of many stripes, from jazz and new-classical to noise and prop.
The event runs July 24-30, at the Community Music Center (544 Capp Street @ 20th, San Francisco). Check out the full schedule here.
For a deeper look, you can explore the “In the Field” series of video interviews, posted by Outsound organizer Rent Romus. They’re extensive (usually 20+ minutes) and often explore how these musicians got turned on to creative music and out-there sounds.
Here’s my smattering of highlights — based primarily on how familiar I am with the musicians and concepts. Meaning, I’ve left lots of deserving artists behind; explore the full schedule for more info, with additional video and audio information.
Concert times are 8:15 p.m., except as noted.
Touch the Gear (Sun. July 24, 7:00-10:00 p.m.) — An Outsound tradition. It’s a hands-on exhibit of electronics and noisemakers (and sometimes some more “normal” musical instruments”), giving you an opportunity to find out where some of these unusual noises come from. It’s very informal and, well, noisy: You wander the tables, ask some questions — and push some buttons and make some noise yourself.
Sonny Simmons documentary (Mon. July 25, 7:00 p.m.) — A screening of Brandon Evans’ 2003 film, “Sonny Simmons: The Multiple Rated X Truth.” Simmons is a fascinating story, a forgotton hero of ’60s free-jazz who became re-remembered starting in the early ’00s.
Dan Plonsey: “On His Shoulders Stands No One” (Tues. July 26) — Expect Braxton-like expanse, but with a friendlier, warmer touch than Braxton’s Ghost Trance Music or Echo Echo Mirror House. Find out more in Plonsey’s video interview (embedded here).
Brett Carson’s Mysterious Descent (Tues. July 26) — A theater/poetry/music piece based on the extant texts of the Idnat Ikh-ôhintsôsh (i.e., a language of Carson’s own devising). Might be the most “out-there” concept on the docket. I’m not sure what to expect; I just got drawn in by Carson’s “In the Field” inteview.
Vinny Golia, Lisa Mezzacappa & Vijay Anderson (Wed. July 27) — Three musicians whose work I’ve enjoyed and admired. This should be a rewarding set of sax-bass-drums improvised jazz. Note that they’re also three-fourths of the band on the album Hell-Bent in the Pacific, which included the late Marco Eneidi on sax.
Oliver Lake & Donald Robinson (Thur. July 28) — Outsound goes above and beyond to support local artists, but the festival also usually includes notable names from out of town. Oliver Lake is a luminary known for the World Saxophone Quartet, Trio 3, and his extensive solo career. (See SF Weekly‘s preview.) Donald Robinson is a hero of the local scene, a drummer whose fluid, airy style has always impressed me. He’s also a veteran of the early ’70s free jazz scene in Paris, where his musical cohorts included Oliver Lake. Who knows whether they kept in touch or even knew each other well; in any event, this should be a special dialogue between kindred spirits.
There’s also a trio improv that combines Brandon Evans with local luminaries Christina Stanley (violin) and Mark Pino (drums); an avant-pop night promising shades of prog and electronic music; and an appearance from the long-running, unpredictable Big City Orchestra.
And plenty more. Seriously, explore the schedule. There’s a wide range of music in store.