Bouncing, off-kilter bop meets avant- garde smarm in the world of guitarist Jon Lundbom’s Big Five Chord. Led by guitarist Lundbom and featuring Jon Rabagon (soprano sax) and Moppa Elliott (bass) of Mostly Other People Do the Killing, the band mixes up styles nicely on Jeremiah, their fifth studio album.
It comes to an extreme on “Lick Skillet,” where the opening solo by guest trombonist Sam Kulik consists of a helicopter impersonation — a growl that starts low and quiet, then buzzes over your head. It’ll send jazzheads off the rails, but it’s followed by a pleasant faux-somber theme and a flute solo (Justin Wood, another addition to the core five) against an odd bass rhythm and some hip guitar comping. It turns into real jazz, if you want to put it that way.
Overall, the album displays a coherent, modern take on traditional jazz ideas, from the faux-bebop swagger of “The Bottle” to the gentle swing and soulful sax solo of “First Harvest.” The dichotomy between toe-tapping jazz and out-there improvisation sometimes has an oil-and-water quality, but the surprises aren’t so out-of-bounds as to be absurd, and the blending of styles sometimes works magic. “Scratch Ankle” is a pleasant and pretty song with a fairly fast swing to it, but when it comes time for the solo, multiple horns start pecking and end up in a free-improv free-for-all — and it all fits together.
The album ends with one live track, “Screamer,” where Dan Monaghan’s drumming turns Lundbom’s guitar solo into a high-speed chase.
Here’s a split-personality passage from the initially calm “Frog Eye.” Irabagon goes nuts on sax, accompanied by some patient chording from Lundbom (whose own solo heats up later on, after this excerpt ends).