Lords of Outland, Keeping It Dark
Powerhouse saxophonists make good foils for Lords of Outland, the free-jazz group that’s been a vehicle for saxophonist Rent Romus for more than 15 years, possibly 20. Vinny Golia made his contribution on the Lords’ Edge of Dark, and it’s Josh Allen’s big tenor sound that adds a jolt to Lords O Leaping.
Lords of Outland — now without Romus’ name on the cover — has explored the more ominous side of free jazz, often inspired by H.P. Lovecraft and the heavies of old-school sci-fi. Romus’ compositions often conjure images of gruff rebellion, but on many track’s it’s electric bassist Ray Schaeffer adding the dark shading, an ominous, liquid low end.
The title track gives each of the three horns — Allen, Romus on alto, and Collette McCaslin on trumpet — a chance to play over a quick-handed bass/drums backing. It’s a terrific exercise in free jazz. Allen’s composition “Plan 9” seems to show a bit of the Albert Ayler influence that’s always driven Romus. It launches abruptly, with the three horns grappling in a way that adds up to an Ayleresque marching band filing into the room:
“Miasma” is a slower track with Allen in powerhouse mode, ending his solo with long screaming notes. Allen also gets to show off some raspy volume in “Rhetoric,” a track that starts with some silky group improvisation.
The Lords’ experiments with analog electronics figured heavily on previous albums, but the pedals and wires (probably performed by McCaslin, although Schaeffer gets a credit for them, too) are limited here to the track “Ara.” Amid the song’s gentle, even-handed setting, the retro bloops and buzzing play out as a solo against the bass and drums.
Throughout the album, Phillip Everett’s drums keeps the energy level up, filling space with quick wrist snaps on cymbals and toms. Romus spends long stretches comping alongside Allen, but of course he gets turns showing off his own darting, agile playing as well. McCaslin’s fleet trumpet adds a steely touch to the sound, although she’s often drowned out by the saxophones. It all adds up to another nice entry from a long-standing edition of the Lords.