Every Friday morning at 9:00 a.m. Pacific, radio station KCSM hosts a musician for “Desert Island Jazz,” where the guest plays the game of picking a few albums they’d want if stranded on a deserted island. (The rules, if you’re not familiar with the game, assume you have the resources to play any medium you’ve brought along. You’re also not allowed to obsess about food, water, wild animals, and so on.)
Anyway. I just found out that tomorrow’s guest (Friday, Feb. 13) is going to be Bay Area saxophone legend Phillip Greenlief.
You should tune in. Greenlief, who’s mentioned frequently in these pages, will no doubt talk about the jazz players who’ve influenced him. (I’m thinking Steve Lacy is going to get a mention.) And he’ll hopefully get a chance to play something from The Lost Trio’s new album, Monkwork. This is a group that’s been together for 20+ years, playing jazz that’s deceptively accessible, sometimes using pop or country songs as the basis for rich, open-ended explorations of melody.
The Lost Trio is even kicking off a tour with a Feb. 14 show at Duende.
Greenlief has his avant-garde side, too. He reunited with bassist Joëlle Léandre earlier tonight (Feb. 12) for some improvised duets, a format they’d recorded years ago for That Overt Desire of Object, eventually released on CD by the Relative Pitch label.
And I still remember Seared Circuit Incident, a solo album of sound exploration that collects some of the most extreme sax playing, including some extremely quiet work. It came out in 2006 on his Evander Music record label, a labor of love that started in 1995.
I’m thinking that stuff isn’t going to come up. No matter — I’m going to alter my commute plans so that I’m in the car at 9:00 a.m. tomorrow. You can listen via the web, here.