Alvin Lucier in Santa Clara

Alvin Lucier, "I Am Sitting in a Room"
See Alvin sit.
A still from the Biennale Musica 2012 performance on Youtube.

Related to that prior posting about the SF Tape Music Festival: Alvin Lucier is coming to perform at Santa Clara University, down here in the South Bay.

In fact, there are three new-music concerts coming Santa Clara’s way this month. First, as previously noted, SCU professor Bruno Ruviaro will present “Cinema for the Ears” on Friday, Jan. 23. Billed as “a film without images,” it’s an electronics presentation similar to the Tape Music Festival, but with a specific mission: creating the aural equivalent of a movie:

In this immersive surround-sound concert, SCU faculty Bruno Ruviaro becomes an acousmatic DJ guiding you through a full evening dedicated to your ears. Is this music, cinema, radio? With this unusual, genre-defying combination of dialogue, sound, music, and ambience, let your imagination to boldly go where it has never gone before.

Then, on Jan. 29 and 30 (Thursday/Friday), SCU is hosting a New Music Festival. I haven’t found an itinerary, but a mailing from Ruviaro says the Jan. 30 concert will focus on Lucier’s work, with the composer on hand to perform “I Am Sitting in a Room.”

A classic piece of experimental sound, “Room” consists of Lucier reading text, recording it, then playing it back into the same room — and recording the playback. The text is an blank-faced explanation of what’s going on: Lucier is recording his voice, then plays back the recording and records the playback. He iterates this process to create copies of copies, each one more degraded than the last (“Room” predates digital recording). Eventually, the series converges on what are supposedly the resonant frequencies of the room, with Lucier’s voice and words an imperceptible blur. What’s left, in a sense, is the room’s natural sound. It emerges as ghostly, ringing tones, like bowed harmonics on a violin.

The point, of course, is the descent — the disintegration of the words, and the gradual slipping-away of rational sound. Yes, you can hear the piece on LP or CD (or in the Vimeo clip below), but just as seeing a movie in the theater is different from watching on Netflix, it might be something special to experience “Room” live, as a shared experience. And of course, it’s a performance that comes out differently every time.