I can’t say I’m “into” Bela Bartok, but I tapped into some of the string quartets. I was egged on, unintentionally, by a friend who mistook the stern violin-pulsing intro to King Crimson’s “Lark’s Tongues in Aspic, Part 1” for a Bartok piece. This wasn’t a friend who’d be into King Crimson. I figured I had to check out Bartok.
The string quartets didn’t scream Crimson-ness to me. What Bartok is better known for, apparently, is his use of Hungarian folk idioms. That side is the basis for a duo project that Phillip Greenlief and Cory Wright have been working on — two clarinets playing selctions from Bartok’s 44 duets (originally written for violins), adding stretches of solid improvisation.
I saw them perform some of these pieces in April, at Studio Grand in Oakland. It was a fun session, and relaxed. Greenlief and Wright had the whole book of 44 duets ready to pick from. Between pieces, they’d briefly huddle and pick which of the short duets they’d string together to form the next song.
What few notes I scribbed down are lost to time, but what I remember is that the set was fun. You really could hear the elements of folk music in the themes, and Greenlief and Wright used those springboards to spin long improvisation, wringing the jazz out of Bartok’s notes.
Given the amount of variation that’s possible with this project, it’s good to see them performing it multiple times. Monday’s show will be their last performance in 2014, though.