Free Time in Indianapolis
A vanishing pleasure of travel is my ritual of visiting CD stores. “Vanishing” because CD stores are vanishing — but also because so much of my travel is related to tech conferences, and so many tech conferences have moved to the wasteland of the Las Vegas strip.
So when an opportunity arose to visit Indianapolis, I eagerly bit. It was a conference I would have attended anywhere in the Lower 48, but the chance to visit a city I’d never seen before was an extra perk.
On my final day, I took a car well north of downtown, into the Broad Ripple neighborhood, to visit Luna Music and Indy CD & Vinyl. Luna sounds familiar; I associate them with Guided by Voices, and I vaguely recall a GbV release or two that I pre-ordered through them. Indy was new to me. Neither disappointed. Both were full of CDs and vinyl (as opposed to the used DVD sections overrunning the Bay Area’s otherwise excellent stores) and had friendly, knowledgeable staff. What a great way to spend a morning.
Biggest surprise of the trip: Indy Records has a small jazz/classical section, but next to it was a packed row full of Tzadik CDs. Lots and lots of Zorn (in fact, the section placard had Zorn’s name), but other artists in the catalog were there, too. This was recent stuff, not a patch of circa-2005 leftovers ordered by “that one guy who quit like a year later.” I knew I had to buy something.
I might never be in Indianapolis again, but I’ll gladly linger in both shops again if I return. Here’s the total haul:
- Woo — It’s Cosy Inside (Drag City, 2012; orig. release 1989) ….. The new Woo record was playing inside Luna, and I got caught up in the ambient vibe. Not quite new age, not quite new techno. Like an instrumental version of The Postal Service, with a similarly innocent and friendly vibe, populated by some guitars, some electronics. The new issue is vinyl-only, so I grabbed a random CD as a souvenir.
- V/A — Spiritual Jazz 5 (Jazzman, 2014) ….. 1960s jazz from around the world! And wow, it’s amazing the things people were doing in Argentina, Japan, India, and Turkey, not to mention some expected hotbeds like South Africa. The music here is one step short of free jazz but takes modal and post-bop ideas to special heights. Highlight of the trip. It was available at both Luna and Indy, so I’m guessing it’s not so hard to find.
- Robert Pollard and His Soft Rock Renegades — Choreographed Man of War (Fading Captain, 2001) ….. Noting the story above, I had to buy a GbV-related issue at Luna. I recall some of these songs fondly from live shows but had never picked up the album.
- Medeski, Schofield, Martin, & Wood — Juice (Indirecto, 2014) ….. I can’t always get into MMW or Schofield, but this album caught my ear at a listening station. Must have hit the right mood. Plus, the 11-minute deconstruction of “Sunshine of Your Love” is anything but cheesy.
- Badbadnotgood — III (Innovative Leisure, 2014) ….. Kind of a cross between hipster dance instrumentals and redefined, intelligent jazz. Highly accessible and probably closer to electronica than to creative music — steady beats, and predictably repeating riffs/chords — but different enough that I wanted to bring it home for a longer listen. This one was highlighted in the Indy jazz section.
- The Budos Band — Burnt Offering (Daptone, 2014) ….. An instrumental rock band with tinges of biker blues, metal guitars that don’t overwhelm the sound, and a real horn section. Big, fun, dramatic. Found these guys because they were featured on Luna’s web site when I was doing my research.
- The Nels Cline Singers — Macroscope (Cryptogramophone, 2014) ….. Should have picked this up many months ago, but didn’t, for highly explainable reasons.
- Lily & Madeleine — Fumes (Asthmatic Kitty, 2014) ….. NPR-friendly folk rock with gorgeously tight harmony vocals. Lily & Madeleine were coming to Indianapolis, so this one was inescapable at both stores. I finally got worn down.
- Eyvind Kang — Grass (Tzadik, 2012) ….. Arbitrary selection from the aforementioned Tzadik section at Indy. Four quite pieces of varying instrumentation. Haven’t spun it yet.
Final note: Every staffer at both stores was significantly younger than me, which was good to see. Record shopping has a tactile experience and a community aspect that can’t be replicated online. I understand why downloads dominate the industry, but it’s nice to see that record-store vibe living on.