The sound of a conventional jazz guitar adds a touch of comfort to bassist Lisa Mezzacappa’s trio outing recorded last year. But just a touch. As you’d expect from the musician who’s given us the wildness of the Bait & Switch quartet and the electronics-laced atmosphere of the Nightshade group, the Lisa Mezzacappa Trio isn’t much for convention.
“Ghost Dance,” for instance, is written by Mike Pride, the drummer who crafted the raucous Drummer’s Corpse album. The song is even-handed in its fast tempo, but it splashes with noise — Pride goes heavy on the cymbals, and Chris Welcome’s guitar spews forth madly before setting into a solo.
Still, this trio isn’t as splatterpunk as Bait & Switch gets. Welcome does stay with a traditional jazz-guitar sound, even when doing nontraditional things with it, as in the scribbly line on “1989,” spinning back and forth like a top quickly wound and unwound.
Overall, this is a solid modern take on the jazz guitar trio, edgy without tipping into extremes of loud or quiet. Welcome’s contributions bring out the richness of the guitar, as you’d expect; “Jazz Brunch,” in particular, is slow and breezy and downright nice. And Pride’s “Negakfok” is a swingy, easygoing number that’s closer to what you’d expect from a jazz guitar band.
Among the more “out-there” moments is “The Deep Disciplines,” by Mezzacappa, introduces wide-open improvisation that comes to a full boil. Pride’s “Pottie Mouth,” by contrast, is careful and quiet, an expansive use of space, but again heavily focused on improvisation.