Xavi Reija — Resolution (Moonjune, 2014)
I have to admit, I was drawn to this album by a review on the Monsieur Délire blog, not only because this guy’s name starts with “X,” but because he’s Catalan.
Friends of mine have hosted me in Barcelona twice now, and through them, I’ve learned a little bit about the Catalan people and their centuries-long struggle for independence, a fight that’s still not over. You can see the pride in the Catalan flag draped over so many balconies around the city. The review made the CD sound interesting, and the thought of hearing a bit of jazz/prog out of Catalunya was intriguing.
Resolution is a guitar-trio album that fits in that space between jazz fusion and progressive rock. I have a soft spot for this stuff. I feel like I’ve kind of outgrown some of the power-guitar licks, but I still love counting out the odd time signatures. This album shows maturity and depth more than prog flashiness; even though it rocks out frequently, it tilts toward a mature jazz sound, and that’s what I really enjoy about it.
My favorite track is the mini-suite, “Gravity” — winding and exploratory, where you can luxuriate in the spaces between Dusan Jevtovic’s guitar phases and savor the glassy bass solo put up by Bernat Hernández. Later, it breaks into a rock-hero groove, showcasing Reija’s drumming over a simple bass pulse.
In a setting like this, though, it’s the electric bass that I really enjoy listening to. Credit Percy Jones of Brand X for that. (I heard him before I got exposed to Jaco Pastorius; that’s just the breaks.) One highlight in that regard is “Macroscope,” where Reija sets up a complex groove for Hernández’s thick, bubbling soloing.
Hear some samples on eMusic, or take a look at “Flying to Nowhere,” below.