He’ll be performing with a Bay Area version of the octet on Friday, May 16, at Le Qui Vive (1525 Webster St., Oakland), a show starting at 9:00 p.m. You can preview the music by listening to “Octet” and a companion piece, “Spring Time,” on Bandcamp. (You can also buy them there; just $5 for a 43-minute digital album.)
“Octet” is framed in minimalist tones, patient and bright. It builds on small, repeated motifs that gradually shift during the course of about 27 minutes. The steady cadence gets a break about midway, when it shifts into slower, looser playing — then it picks up the thread again, bouncing and bobbing its way along.
Minimalist pieces are meant to be a bit hypnotic (that’s always been my impression, anyway) and part of the magic is in zooming in on the details. In this case, you’ve got eight players to provide plenty of counterpoint, like lots of side conversations adding up to a whole. I’m reminded of a ROVA piece where many players were spread around a large room, and the audience was invited to sit in the middle. “Octet” would sound really good that way, with small sounds patiently prodding at you from all directions.
“Summer Time” carries a similar mood but eases up on the strict rhythm. The horns, in particular, play breathy jazz motifs that might even be improvised (or composed but with a more casual sense of rhythm applied). It’s an airy 17-minute piece that breezes past more quickly than you realize.
I’d recommend checking out the Octet at Le Qui Vive. It’s not an act that seems likely to be repeated much in the future. (And the opening act, featuring longtime jazzman Idris Ackamoor of The Pyramids, should be a treat, too.)
And if you’re more inclined to check out Shelton’s jazz work, Ton Trio II is playing at Duende (Oakland) on the following Friday, May 23.