Catharsis and the Drums

Mike PrideDrummer’s Corpse (AUM Fidelity, 2013)

Source: AUM Fidelity; click to go there. “My ‘Ascension,'” drummer Mike Pride calls the track “Drummer’s Corpse.” It’s a 33-minute catharsis, a sustained blast of energy delivered by seven top-notch drummers.

Anchoring the whole thing, in a sense, is a wall of electric-guitar sound by Chris Welcome, a succession of fiercely chiming chords that stubbornly guide the music forward. “Drummer’s Corpse” starts with a few minutes of cymbal and gong splashes, a statement of entry — and then the guitar blasts into the frame, and we’re off to the races.

Little vocal shrieks and cries emit from the seven-drummer tumult, like people being swept away by a violent current. Where “Ascension” divided into episodes defined by soloists, “Drummer’s Corpse” uses the guitar chords — but really, they’re just curves in the rushing river of noise. It’s quite a ride.

You can sample “Drummer’s Corpse” in this trippy video:

In addition to Pride, the drummers involved are Oran Canfield, Russell Greenberg,
John McClellan, Bobby Previte, Ches Smith, and Tyshawn Sorey, with Marissa Perel and Fritz Welch contributing vocals and percussion. Yes, it’s a corps of drummers, and the title might be a play-on-words, but I’m thinking of the piece more as a serious statement.

The album is rounded out by a track that’s completely different. “Some Will Die Animals” is an avant-garde elegy for drummer Gen Mikano, who took his own life in 2012. Two lengthy instrumental trio passages, slow and tense, are each followed by two segments of “recitations,” which is where the real madness comes in.

Four overlapping voices reading the same text passage from different starting points, creating a surreal journey of short paths that keep tracking back on to themselves. The texts are odd, meant to represent a news broadcast that includes “global sex-terrorism, suicide, and scientific descriptions of imaginary future-animals,” as Pride describes it in the CD’s promo materials.

I don’t know the details of Mikano’s passing, so I don’t know if the piece is meant to evoke the feeling of voices in your head, beating relentlessly on the same notes — but that’s the sensation, especially with headphones. It’s not scary (and in fact, the text is a bit silly), just very interesting (or grating, if you’re not in the mood).

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