KZSU Day of Noise 2014

March 8, 2014 at 12:04 pm Leave a comment

I was able to help only for the very beginning and tail end of KZSU’s Day of Noise this year, but it was still a lot of fun.

As usual, a small group of hero DJs made the Day of Noise possible, including Abra (who emceed all 24 hours) and Smurph, who I believe was on hand for most of the sound engineering.

I even manned a sound board this time. The group was Big City Orchestra, a quartet that used styrofoam as its main sound source. They bowed it, poked sticks into it (tuning them beforehand, because they started their set with a droney piece) and ran the sound through all kinds of effects. By the end, it was a wall of noise. It was pretty cool.

Pictures follow. I caught a few minutes of Karl Evangelista and Tom Djll’s band, Revenant, but didn’t get a chance to say hi; their set ended as I was helping set up the audio for BCO.

Here’s the photographic evidence.

Smurph, our head sound engineer, setting up what's normally a meeting room. We use two studios for Day of Noise, so that one band can set up while another is playing.

Smurph, our head sound engineer, setting up what’s normally a meeting room. We use two studios for Day of Noise, so that one band can set up while another is playing.

Brian B. James opened the 24-hour Day of Noise. The potted trees, collected from around the station, were set up in the studio for the sake of the webcast, which we ran on UStream throughout the day/night.

Brian B. James opened the 24-hour Day of Noise. The potted trees, collected from around the station, were set up in the studio for the sake of the webcast, which we ran on UStream throughout the day/night.

The Day of Noise tradition: the autographed T-shirt.

The Day of Noise tradition: the autographed T-shirt.

Revenant (three-fourths of it, anyway): Karl Evangelista, Michael Coleman, Tom Djll

Revenant (three-fourths of it, anyway): Karl Evangelista, Michael Coleman, Tom Djll

Revenant percussionist Nava Dunkelman, captured through the hazy Studio A window.

Revenant percussionist Nava Dunkelman, captured through the hazy Studio A window.

Big City Orchestra setting up. Cheryl Leonard is on the left, and Nina Lynn Hollenberg is third from left ... didn't write down the men's names, unfortunately.

Big City Orchestra setting up. Cheryl Leonard is on the left, and Nina Lynn Hollenberg is third from left … didn’t write down the men’s names, unfortunately.

Cheryl E. Leonard.

Cheryl E. Leonard.

Sticks stuck into the boxes were tuned to specific notes (yes, tuned -- it wasn't easy) and bowed to produce groany tones.

Sticks stuck into the boxes were tuned to specific notes (yes, tuned — it wasn’t easy) and bowed to produce groany tones.

BCO played three pre-planned movements that culminated in stabbing and sawing the styrofoam. It was a heavily noisy finale.

BCO played three pre-planned movements that culminated in stabbing and sawing the styrofoam. It was an appropriately noisy finale.

Syrofoam bits clung to the performers' hands and got everywhere. Probably should have seen that coming.

Syrofoam bits clung to the performers’ hands and got everywhere. Probably should have seen that coming.

Less than 30 minutes after BCO's set, thanks to the wonders of modern technology and a lot of elbow grease.

The stuido less than 30 minutes after BCO’s set, thanks to the wonders of modern technology and a lot of elbow grease.

3 Leafs closed out the Day of Noise 2014.

3 Leafs closed out the Day of Noise 2014.

Entry filed under: Bay Area music, radio. Tags: , , , .

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