Bringing ‘Lords of Outland’ to Outsound
Rent Romus’ Lords of Outland — Thee Unhip (Edgetone, 2012)
The Outsound New Music Summit is a labor of love for all volunteers but especially for Rent Romus, who not only runs the whole shebang but does an aces job raising funds and gathering sponsors. It’s been a while since he’s booked himself to play at the festival, though.
Lords of Outland will be part of the final night’s performance, Saturday, July 27, a show subtitled “The Axiom” and running with the theme of blended composition and improvisation. (It will include Kyle Bruckmann’s large-scale, Pynchon-influenced piece, as previously mentioned.)
Originally a jazz band with Romus channeling late-era Coltrane on his sax, Lords of Outland has developed a dark side in the past several years, delving into electronics and sound-experimentation for a more ghoulish atmosphere. Ray Schaeffer’s down-in-the-mud electric bass certainly helps on that front, but outright electronics and the occasional ferocious free-for-all make for a more overtly ghoulish atmosphere.
Jazz is not dead in these tracks. “If Ornette Grew Cacti” opens up with an appropriately prickly take on what could have been one of Ornette’s danceable themes. From there, it goes into a speedy free-jazz attack — Philip Everett’s drumming fills the air with joyous cymbal clashing, and Schaeffer jams madly on bass. There’s also the tuneful and almost traditional “Temple of Dolphy, which shows off Romus’ sax soloing in a relatively light and uncluttered setting.
Throughout the album, C.J. Borosque shows some great work on trumpet. She’s positively screaming on “If Ornette Grew Cacti” and opens up “Planet of the Plutarchs” with some terrific improv, starting with vocalized growls and moving into bright, quick riffs. That track blooms into a bright free-jazz jam, with the bass adding a touch of psych here and there.
The free jazz and noise sides converge all over the place but are used to particularly good effect on “Dedicated to Lord Kraken off Titan off the Shores of Saturn,” where Romus cuts through thick electronics with somber, reverent sax in long tones, a ceremony of respect. In the end, it all explodes into a free-jazz celebration.
This final concert of the Summit should be a doozy. In addition to the Lords and Kyle Bruckmann, the bill includes Lewis Jordan’s Music at Large, a quintet bolstered by guitarist Karl Evangelista and violinist India Cooke. Here’s the Outsound “In the Field” video introducing Jordan, a veteran of the Bay Area jazz scene.
(See also: Vinny Golia Meets Lords of Outland.)