Snapshots: Day of Noise

Here’s a glimpse of what’s been going on at KZSU this Sunday. I made do with the iPhone and the UStream feed, as I forgot  to bring my real camera. Captions and possibly more photos to follow.

The “what” that’s going on is the KZSU Day of Noise! Official explanation is on the Day of Noise page, and I blogged my own preview yesterday. If you’re seeing this on Sunday, April 14, 2013, go ahead and check out the aforementioned UStream video feed.

UPDATE: You can also check out some more professional photos at the KZSU Facebook photo stream (Facebook subjugation — er, subscription — not required). Note that I’m linking to the stream, so if you’re reading this significantly after April 2013, it might show a whole other set of photos.

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Setting up The Machinery of Doom
Doom, the KZSU DJ who organized the earliest Days of Noise, in the 1990s. It was still a 24- hour affair, but Doom would fill the morning’s wee hours with The Machinery of Doom, an attic’s worth of wooden and metal noisemaking devices from friendly chimes to large, doom-clanging springs.
Clarke Robinson (far) & Jim Whittemore (near), doing their analog noisemaking. Whittemore is a punk rocker, circa 1976, who said he hasn’t performed a music show in 30 years. Before and after the set, he regaled us with stories of his old band, The Scientific Americans, and stunts such as getting snuck onto the bill of a high-society Mother’s Day concert headlined by The Association. Whittemore’s band had a great time, which wasn’t good news for the mothers.
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This year’s Day of Noise T-shirt, in the process of being signed by all the artists.
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Sun Hammer, from Portland, Ore., played an hour of gorgeous, shimmery sounds in the presence of the zebra pinata.

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