More from Outsound: Poetry, Saxes, Fire

Robair, Harryman, Raskin. Photo courtesy, (c) 2012 Peter B. Kaars

I managed to attend just one night of the 2012 Outsound New Music Summit, but of course, there are ways to get a flavor for how the rest of the concerts went.

Amar Chaudhary — @catsynth on Twitter and publisher of the Catsynth blog — attended the Outsound nights that were devoted to poetry and to jazz-influenced improvising.

The “Sonic Poetry” program naturally featured a few poets with one or two musical improvisers, small settings meant to cede center stage to the words. I’d already mentioned Carla Harryman‘s set with Jon Raskin, who played sax and helped recite some of the poems; they were joined by Gino Robair, playing prepared piano among other things. Read the full Catsynth review of the three poetic acts (the others being rAmu Aki of San Francisco’s Tenderloin district and Ronald Sauer, part of the North Beach crew) here.

Amar might also have a review of the free-jazz night (titled “Fire and Energy“) posted soon. He was certainly there, posting some updates and photos on Twitter.

I really wish I could have made it to that show. A few of the @catsynth comments that I found particularly intriguing:

  • “I appreciate hearing solo performances. Jack Wright‘s featured a lot of timbres an techniques in a compact space.”
  • “Now that was a real jazz set fron Dave Bryant. All the rhythms chords and cadences. and bass.”
  • Vinny Golia as usual has quite a collection of wind instruments.”
  • “The Thin Air Orchestra is looking Thick as the cover the whole stage. … It’s a big funky and slightly weird orchestra. With scat singing.”
  • “I think the Thin Air Orchestra just had their Miles Davis moment.”
  • “A big chaotic chord concludes this set, tonight’s concert, and the entire Outsound Music Summit for 2012.”

One thought on “More from Outsound: Poetry, Saxes, Fire

  1. Thanks for the shout-out! Reviews of the other nights will be coming soon.
    Interestingly, the tweet about the Thin Air Orchestra having their “Miles Davis moment” was a reference to the poetry night – it was a line from the Haryman/Raskin/Robair set.

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