KZSU playlist for Friday, May 15, 3:00 to 6:20 p.m.
….. Fareed Haque, frequent cohort of Zakir Hussein, plays a “world” music-tinged jazz that’s good but too melodic and easy for my taste. On a hot day like today, though, Haque’s summer-festival jamming hit the spot.
….. The Jarrod Fowler “Percussion” As Percussion album is a descent into madness. Tracks consist of overlaid spoken pieces — narrations, film clips, who knows what else — creating a relentless jumble. One track is even the combination of all others played backwards; it’s the harshest and most unsettling of all, and they put it second. Now, apparently there are some structural principles underlying all this, or at least that’s what’s hinted in the lengthy, hyperacademic liner notes, which walk that line between deeply serious and seriously messed up.
….. “Le-Si-Jer” isn’t the best track on the Revolutionary Ensemble album, but I wanted to have given its full 19 minutes an airing at some point. It features long solo spaces for each of the three members: Leroy Jenkins doing airy, squeaky violin figures; a patient arco solo from Sirone on bass; and reverent tones from Jerome Cooper on the chiramia, an oboe-sounding reed instrument. It’s a good track, but the real highlight on the album are the two improvisations at the end, where the three players show off some nice group intercommuicating.
….. Fever Ray is the solo project of Karin Dreijer Andersson of The Knife. Intersting songscapes, with heavy cinematic synths and careful, slow vocals. Atmospheric, a great listen. The show also included one of the dreamier songs from hip-hop artist Yoome.